Holy Icons

Last year in June I had to drive to Schiphol Airport to collect my aunt who came back from a trip to Odessa [Ukraine]. She is part of a group of artists who paint Russian icons and the trip was organised by her teacher, a nun. It was her first time trip on her own and I promised I would pick her up and bring her back home all the way up north. Every week the group meets up to continue painting their icon. The technique that is used is quite an intensive one, and could take weeks of preparation on specially prepared wooden panels.

© Matthias Kabel An Iconostasis

At some point my aunt told me she would love to paint one for me and asked me to think about what I would like to have painted. She had a Madonna with child in mind but somehow it didn’t really make sense… She asked me again in April when I was going through a rough time and while we were on the phone I had this image in my head all of a sudden, a holy person who was slaying a dragon, lots of gold and lots of reds… I had no idea who it was or why I had that image in my head. I told my aunt what I saw and she would try to find it in a book about Russian icons that I gave her in February. I told her I would look online, so I did and guess what I found out…

This is the image that came to me

I was talking about Saint Michaël… I found the above image of him online, the one that I had in mind, the one where he was pictured slaying the dragon… But the most interesting thing is yet to come: I found out what he represents, why he had ‘choosen’ me. Symbolism: Archangel Michaël is the fighter of light par excellence, who succeeds against the darkness of evil forces. In his icons, he holds a balance that weighs people’s deeds on Judgement Day, as well as a sword, with the help of which he defeats Satan and the forces of darkness. Often he is represented defeating a dragon.

Spiritual meaning: we can ask Archangel Michaël to help us control and overcome the negative tendencies that still exist in our being. Anytime we feel overwhelmed by events, or when life situations seem to develop relentlessly, he can help us have a more elevated, more spiritual and wiser view upon our life. His mission is to guide and protect us from injustice and to help us open our beings towards what is eternal and immortal. We can ask him to help us in any situation when we feel overwhelmed or alone and we need help.

So yesterday I received another package from the postman -yes I am spoiled this week!- a beautiful painting from the Archangel Michaël, an icon painted by my aunt on a wooden panel with all shades of red, yellow, blue and gold… She did an amazing job! The original is a Russian icon and the dragon is replaced by Satan. It’s a true work of art and I’m really happy with it. Below you can see what it looks like.

Archangel Michaël painted by my aunt

A Night Out

I had my birthday today… Thanks CH. for your text message! Thanks JdB., Dalton, Nicky and IvS for your emails! Thanks Uncle and Aunt, and AS. for your lovely birthday cards. And thanks AS. for organising a surprise party for two, it was wonderful!
We went to a Scottish restaurant; lots of nice fish *yummy!* ‘Loch Fyne’ and it seems to be one of two fish restaurants in London. AS. was lucky booking a table; it was all reserved for at least two weeks. The food was excellent! I had crab cakes with Thai green bean salad, AS. had the best halibut I’ve ever tasted with a caper salsa and lovely steamed veggies… totally yummy!
AS. gave me a really cool A3 printer, colour, so now I can print all my artwork and stuff for my portfolio, totally awesome! I will have to buy A3 paper though but that won’t be a problem I reckon, no clue where to get it from so I will have to do some research online. I will probably buy it online anyway, it’s easier… Well here are a few pics:
emoticons/laughing.gif

My present



The Restaurant [Loch Fyne, Covent Garden]


AS.’s dinner [Halibut and Caper Salsa]


My dinner [Crab Cakes and Thai Green Bean Salad]


AS.’s dessert [Cheese and Oatmeal Biscuits *yummy*]


My dessert [Chocolate Mousse]

After dinner we went to see a play at the Fortune Theatre, Russell Street which is called “The Woman in Black” Which wasn’t as terrifying as they mention below. It was good! Some of the women in the audience were a bit tense since they screamed a lot whenever something was slightly ‘scary’, perhaps I’m just not one of the faint-hearted like they seemed to be. I thought the scary bits where cool and these women slightly annoying… Anyway, I didn’t let it ruin the play, we had a splendid evening.
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The Woman in Black
One of the less well-known West-End fixtures, this adaptation of Susan Hill’s Gothic novel has been packing out houses since 1989 through word of mouth alone.
In Stephen Mallatrat’s stylish adaptation, an elderly lawyer hires a young actor to re-enact the experiences of his youth – the events in Hill’s original novel – in order to exorcise the ghosts of his past.
Suspense is superbly sustained by the two actors, who slip beautifully from past to present. With elegantly controlled tension and a great twist, this is one of the best spine-chillers on the London stage. Genuinely terrifying.
The Fortune Theatre
The first theatre built after World War I is an astonishing piece of architecture. Built in 1922-4, it preceded the arrival of the Art Deco and Modernist style whose smooth curves were to dominate the inter-war period. Instead, it takes its inspiration from the artistic style of Cubism, with an unpredictable, blocky geometry that constantly defies expectations and divides opinions. The quirkiness of the architecture is matched by the Fortune’s most influential show ‘Beyond the Fringe’ (1961), the show that launched the careers of Peter Cook, Dudley Moore, Jonathan Miller and Alan Bennett, and which has been credited with the invention of modern satire and stand-up comedy.
Calling your theatre the Fortune is asking for trouble – the Elizabethan theatre with the same name burnt down in 1621 – and failure dogged this intimate playhouse from its opening. For much of its existence it has been unable to make money and was reduced to staging amateur productions. Then, in 1989, Stephen Mallatratt’s ‘The Woman in Black’ arrived. This brilliant shocker has been filling the Fortune ever since, based almost entirely on word of mouth.
© londontown
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The Stage

The Audience


The Stage after the break








Covent Garden

After a little stroll we took the bus back to IS. and CS.’s place who just got back from India, we crashed there till 06.30 in the morning. Not a clever thing to do because it takes me three days to recover…